Andrea Nix Fine and Sean Fine on Filling in the Emotional Details of the Day That Democracy Nearly Died on “The Sixth”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
BerlinaleInterviews·7 min readBerlinale 2022 Interview: Tim Sutton on Staying Attuned to the Reality of a Moment in “Taurus”
BerlinaleInterviews·6 min readBerlinale 2022 Interview: Natalia López Gallardo on a Stirring Search for the Missing in “Robe of Gems”
BerlinaleReviews·2 min readBerlinale 2022 Review: A Couple on the Outside Find Strength Within in Li Ruijun’s “Return to Dust”
BerlinaleReviews·2 min readBerlinale 2022 Review: A Connection Defies Description in the Formally Daring “Queens of the Qing Dynasty”
BerlinaleInterviews·9 min readBerlinale 2022 Interview: Scott Lazer on Moving Mountains to Make “West By God”
BerlinaleReviews·3 min readBerlinale 2022 Review: A Family Faces a Season of Change in Carla Simón’s Sublime “Alcarràs”
BerlinaleReviews·2 min readBerlinale 2022 Review: A Family Fights Prescription, Medication and Otherwise, in Jamie Sisley’s Heartfelt “Stay Awake”
BerlinaleReviews·3 min readBerlinale 2023 Review: “Joan Baez: I Am a Noise” Delivers a Strong Portrait of the Fragility of Memories
BerlinaleReviews·2 min readBerlinale 2023 Review: İlker Çatak’s “The Teachers’ Lounge” Offers Some Bedeviling Lessons
BerlinaleReviews·2 min readBerlinale 2023 Review: A Death Brings a Spark of Life in Susana Nobre’s “Cidade Rabat”
BerlinaleReviews·3 min readBerlinale 2023 Review: “Reality” Reconsiders What’s a Danger to the Public
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”