Andrea Nix Fine and Sean Fine on Filling in the Emotional Details of the Day That Democracy Nearly Died on “The Sixth”
Cannes 2024 Review: Tyler Taormina’s “Christmas Eve at Miller’s Point” is a Gift That Keeps On Giving
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
BerlinaleReviews·2 min readBerlinale 2023 Review: A Pair of Lonelyhearts Gets in Touch with Their Better Nature in Bas Devos’ “Here”
BerlinaleReviews·3 min readBerlinale 2023 Review: Sacha Polak’s “Silver Haze” Captivatingly Plays with Fire
BerlinaleReviews·2 min readBerlinale 2023 Review: Lila Avilés’ Spellbinding “Tótem” Puts a Hold On You
BerlinaleReviews·2 min readBerlinale 2023 Review: “Al Murhaqoon (The Burdened)” Takes On the Weight of the World
BerlinaleReviews·3 min readBerlinale 2023 Review: A Show Must Go On in Talal Derki and Heba Khaled’s “Under the Sky of Damascus”
BerlinaleReviews·2 min readBerlinale 2023 Review: Vuk Lungulov-Klotz’s “Mutt” Offers a Day to Remember to Someone Who Shouldn’t Look Back
BerlinaleReviews·3 min readBerlinale 2024 Review: A Safe Haven is Where You Least Expect It in Levan Akin’s Compassionate “Crossing”
BerlinaleReviews·3 min readBerlinale 2024 Review: A Groundhog Casts a Long Shadow in Roman Bondarchuk’s Sharp Satire “The Editorial Office”
BerlinaleReviews·3 min readBerlinale 2024 Review: A Matriarch Builds a Formidable Sand Castle in “Betânia”
BerlinaleReviews·2 min readBerlinale 2024 Review: Carlo Sironi’s “My Summer with Irene” Captures a Season of Change
BerlinaleReviews·3 min readBerlinale 2024 Review: Kazik Radwanski’s “Matt and Mara” Is a Rich Examination of What’s Often Left in the Margins
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”