Tribeca 2021 Interview: Emmett Brennan on Tapping Into Creative Forms of Conservation in “Reflection: a walk with water”
Tribeca 2021 Review: Refugees of a War-Torn Syria Refuse to Be Pulled Apart in the Tender “Simple as Water”
Tribeca 2021 Review: A Conductor Creates Harmony Out of Cultural Discord in the Rousing “Bernstein’s Wall”
Tribeca 2021 Review: There’s Truly No Place Like Home in Gaysorn Thavat’s Admirably Irreverent “The Justice of Bunny King”
Tribeca 2021 Review: Refugees of a War-Torn Syria Refuse to Be Pulled Apart in the Tender “Simple as Water”
Interview: Silja Hauksdóttir, Katla M. Porgeirsdóttir, and Donna Cruz on Taking the Roads Less Traveled to Contentment in “Agnes Joy”
Tribeca 2021 Review: There’s Truly No Place Like Home in Gaysorn Thavat’s Admirably Irreverent “The Justice of Bunny King”
ReviewsToronto Film Festival 2011TIFF ’11 Review: Redefining the Wow Factor with Victor Ginzburg’s “Generation P”If only "Mad Men" were set in post-Soviet Union Russia and experimented with LSD, it might look something like Victor Ginzburg's wildly ambitious and entertaining effects-enhanced satire. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
