Andrea Nix Fine and Sean Fine on Filling in the Emotional Details of the Day That Democracy Nearly Died on “The Sixth”
Cannes 2024 Review: Tyler Taormina’s “Christmas Eve at Miller’s Point” is a Gift That Keeps On Giving
Cannes 2024 Review: Soldiers Confront a Fight They Didn’t Sign Up For in Roberto Minervini’s Thoughtful War Drama “The Damned”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsTribeca Film Festival·2 min readTribeca 2022 Review: A Safe Space Falls Apart Morally if Not Structurally in Natalia Sinelnikova’s “We Might as Well Be Dead”
ReviewsTribeca Film Festival·2 min readTribeca 2022 Review: “Of Medicine and Miracles” Brings the Excitement of a Scientific Breakthrough From the Inside Out
ReviewsTribeca Film Festival·2 min readTribeca 2022 Review: The Thrill of the Chase Can Be Addictive in Daniel Antebi’s “God’s Time”
ReviewsTribeca Film Festival·3 min readTribeca 2022 Review: Ray Romano’s “Somewhere in Queens” Exudes Confidence
ReviewsTribeca Film Festival·2 min readTribeca 2022 Review: A Safe Haven Can’t Escape the Issues of Society at Large in “Naked Gardens”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”