Andrea Nix Fine and Sean Fine on Filling in the Emotional Details of the Day That Democracy Nearly Died on “The Sixth”
Cannes 2024 Review: Tyler Taormina’s “Christmas Eve at Miller’s Point” is a Gift That Keeps On Giving
Cannes 2024 Review: Soldiers Confront a Fight They Didn’t Sign Up For in Roberto Minervini’s Thoughtful War Drama “The Damned”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsTribeca Film Festival·8 min readTribeca 2022 Interview: Patrick Bresnan and Ivete Lucas on Getting Under the Skin with “Naked Gardens”
ReviewsTribeca Film Festival·2 min readTribeca 2022 Review: A Pregnancy Gives Birth to Ideas of an Unexamined Life in Michelle Garza Cervera’s “Huesera”
InterviewsTribeca Film Festival·7 min readTribeca 2022 Interview: Ethan Silverman on Getting It On in “Angelheaded Hipster: The Songs of Marc Bolan and T. Rex”
ReviewsTribeca Film Festival·2 min readTribeca 2022 Review: It Only Feels Like the End of the World in the Sly and Smart “Integrity of Joseph Chambers”
ReviewsTribeca Film Festival·2 min readTribeca 2022 Review: A Budding Doctor Lives in Terror of His Error in Alex Thompson’s “Rounding”
InterviewsTribeca Film Festival·9 min readTribeca 2022 Interview: Nausheen Dadabhoy on Reclaiming the Narrative of the Muslim Experience in America with “An Act of Worship”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”