Andrea Nix Fine and Sean Fine on Filling in the Emotional Details of the Day That Democracy Nearly Died on “The Sixth”
Cannes 2024 Review: Soldiers Confront a Fight They Didn’t Sign Up For in Roberto Minervini’s Thoughtful War Drama “The Damned”
Cannes 2024 Review: A Hunt for a War Criminal Becomes a Search for Peace of Mind in Jonathan Millet’s Haunting “Ghost Trail”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsTribeca Film Festival·2 min readTribeca 2022 Review: Money Makes the World Go Round in the Wild True Story “American Pain”
ReviewsTribeca Film Festival·3 min readTribeca 2022 Review: Ray Romano’s “Somewhere in Queens” Exudes Confidence
ReviewsTribeca Film Festival·2 min readTribeca 2022 Review: Signe Baumane’s “My Love Affair with Marriage” is a Truly Animated Affair
ReviewsTribeca Film Festival·2 min readTribeca 2022 Review: No Mourning is Allowed with Death on the Horizon in the Beautifully Bittersweet “Pink Moon”
ReviewsTribeca Film Festival·3 min readTribeca 2022 Review: Rodrigo Reyes’ “Sansón and Me” Becomes a Sensational Living Document
ReviewsTribeca Film Festival·2 min readTribeca 2022 Review: The Thrill of the Chase Can Be Addictive in Daniel Antebi’s “God’s Time”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”