Andrea Nix Fine and Sean Fine on Filling in the Emotional Details of the Day That Democracy Nearly Died on “The Sixth”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsTribeca Film Festival·2 min readTribeca 2020 Review: Gerardo Naranjo’s Return to His Roots Proves Rejuvenating in “Kokoloko”
ReviewsTribeca Film Festival·2 min readTribeca 2020 Review: A Family Grapples With Their Peculiar Bloodline in “My Heart Can’t Beat Unless You Tell It To”
ReviewsTribeca Film Festival·2 min readTribeca 2020 Review: A Mother and Daughter Redefine Their Relationship on Their Terms in Ruthy Pribar’s Exquisite “Asia”
Tribeca Film Festival·8 min readTribeca 2020 Interview: Matt Vesely on the Human Comedy of “System Error”
ReviewsTribeca Film Festival·2 min readTribeca 2020 Review: Studying an Iceberg Yields Revelations About Gender Parity in “Picture a Scientist”
ReviewsTribeca Film Festival·2 min readTribeca 2020 Review: Revenge is Served Cold in Bo McGuire’s Bold, Bewitching “Socks on Fire”
ReviewsTribeca Film Festival·2 min readTribeca 2020 Review: The Unseen Costs of Labor Are Richly Observed in Loira Limbal’s “Through the Night”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”