Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Interviews·9 min readTribeca ’18 Interview: Andrew Bowen on Putting the Space Adventure “The 716th” on Blast
InterviewsTribeca Film Festival·8 min readTribeca ’18 Interview: Vanessa Roth on Refreshing History in “The Girl and the Picture”
ReviewsTribeca Film Festival·3 min readReview: You’ll Want to Soak Up Every Second of Dava Whisenant’s Delightful “Bathtubs Over Broadway”
ReviewsTribeca Film Festival·3 min readTribeca ’18 Review: Gabrielle Brady’s Transfixing “Island of Hungry Ghosts” Makes the Disillusionment of the Refugee Experience Tangible
InterviewsTribeca Film Festival·11 min readTribeca ’18 Interview: Eva Vives on Giving a Woman the Last Laugh in “All About Nina”
ReviewsTribeca Film Festival·2 min readReview: Karen Gillan Starts Something Special in “The Party’s Just Beginning”
ReviewsTribeca Film Festival·3 min readTribeca ’18 Review: Terrence McNally Takes Center Stage in “Every Act of Life”
ReviewsTribeca Film Festival·2 min readTribeca ’18 Review: A Colorblind Blues Duo Make Beautiful Blues Music Together in “Satan and Adam”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”