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Leighton Meester and Julian Shatkin in "Like Sunday Like Rain"

Interview: Frank Whaley Soaks Up “Like Sunday Like Rain”

The director on his touching drama about an unlikely friendship, casting Billie Joe Armstrong in his first film role & an ill-considered original ending.

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Edson Oda on Making Memories in “Nine Days”

Joshua Leonard and Jess Weixler on Kidding Around While You Can in “Fully Realized Humans”

Braden King on Looking to the Land for Opportunity in “The Evening Hour”

Cannes 2021 Review: A Cartel Leaves a Community on Edge in Tatiana Huezo’s Absorbing “Prayers for the Stolen”

Cannes 2021 Review: Na Jiazuo’s “Streetwise” Takes the Road Less Traveled

Cannes 2021 Review: The Present Takes On Unexplored Dimensions in Saul Williams and Anisia Uzeyman’s Wondrous “Neptune Frost”

Matt Damon: A Career in Cameos

Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
“Fast & Furious” Franchise

“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

Joshua Leonard and Jess Weixler on Kidding Around While You Can in “Fully Realized Humans”

Maria Gabriela Cardenas on a Family Affair Full of Fear in “A Dark Foe”

Tribeca 2020 Review: An Ex-Con Can’t Just Pick Up Where Life Left Off in Sabrina Doyle’s Lovely Drama “Lorelei”

“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

Braden King on Looking to the Land for Opportunity in “The Evening Hour”

The Jimmy Show

Interview: Frank Whaley Soaks Up “Like Sunday Like Rain”

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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

Playing God: 13 Actors Who Dared To Be the Deity in Movies