Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsSXSW·6 min readSXSW 2023 Interview: Dutch Southern on Looking Alive in “Only the Good Survive”
ReviewsSXSW·2 min readSXSW 2023 Review: Henry Loevner and Steven Kanter’s “Peak Season” Offers Fresh Air
ReviewsSXSW·3 min readSXSW 2023 Review: A Dire Prognosis Opens Up Emotional Floodgates in Molly McGlynn’s “Bloody Hell”
ReviewsSXSW·2 min readSXSW 2023 Review: A Musician Struggles to Change Her Tune in the Endearing “Cora Bora”
ReviewsSXSW·3 min readSXSW 2023 Review: There’s Far More Than Meets the Eye in Liza Mandelup’s “Caterpillar”
InterviewsSXSW·14 min readSXSW 2023 Interview: Chris Kasick and Emily Nestor on Making a Case in “Citizen Sleuth”
InterviewsSXSW·12 min readSXSW 2023 Interview: Tomas Gomez Bustillo on the Divine Comedy of “Chronicles of a Wandering Saint”
InterviewsSXSW·11 min readSXSW 2023 Interview: Miranda Yousef on Capturing All the Different Shades of Thomas Kinkade in “Art for Everybody”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”