Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsSXSW·10 min readSXSW 2022 Interview: Winter Dunn on Harnessing the Power of an Abstract Sense of Loss in “Dear Mama”
InterviewsSXSW·10 min readSXSW 2022 Interview: Pete Ohs on the Spirit of Collaboration Behind the Strange and Delightful “Jethica”
InterviewsSXSW·9 min readSXSW 2022 Interview: Don Argott and Demian Fenton on Rocking Out with “Dio: Dreamers Never Die”
InterviewsSXSW·7 min readSXSW 2022 Interview: Kyle Thrash on Seeing the Start of an End to an Injustice in “The Sentence of Michael Thompson”
InterviewsSXSW·9 min readSXSW 2022 Interview: Drea Cooper on Wagering on Originality in “Diamond Hands: The Legend of WallStreetBets”
InterviewsSXSW·10 min readMiranda Bailey on Finding a Way Through Unprecedented Terrain in “Split at the Root” and “The Unknown Country”
InterviewsSXSW·8 min readSXSW 2022 Interview: Nyla Innuksuk on a Different Kind of Teenage Rebellion in “Slash/Back”
InterviewsSXSW·11 min readSXSW 2022 Interview: Amy Bench on Expressing the Overwhelming Feeling of the Refugee Experience in “More Than I Remember”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”