Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Interview: Jennifer MacArthur on a Movement Towards Sustainability for Black-Owned Forests in “Family Tree”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsSXSW·3 min readSXSW 2021 Review: A Spirit of a Neighborhood is Reconstructed in “Through the Plexi-Glass: The Last Days of the San Jose”
InterviewsSXSW·2 min readSXSW 2021 Review: Jasmine Stodel’s “Kid Candidate” Offers a Smart Look Beyond the Ballot
ReviewsSXSW·2 min readSXSW 2021 Review: Mei Makino’s “The In-Between Girl” Goes Straight to the Heart
InterviewsSXSW·9 min readSXSW 2021: Stacey Gregg on Finding an Original Way Into a Psychological Thriller With “Here Before”
ReviewsSXSW·2 min readSXSW 2021 Review: A Teenager Faces Extraordinary Growing Pains in Emily Cohen Ibañez’s “Fruits of Labor”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”