Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsSXSW·8 min readSXSW 2020 Interview: Geeta Gandbhir on Capturing a Place That Can Never Be Called Home with “Call Center Blues”
ReviewsSXSW·2 min readSXSW 2020 Review: Sworn to Protect, A Cop Brings Pain to Himself in Iram Parveen Bilal’s Compelling “I’ll Meet You There”
ReviewsSXSW·2 min readSXSW 2020 Review: Lindsay Lindenbaum’s “Tomboy” Marches to the Beat of Its Own Drummer
ReviewsSXSW·2 min readSXSW 2020 Review: An Unexpected Connection Blossoms in Cooper Raiff’s “Shithouse”
InterviewsSXSW·9 min readSXSW 2020 Interview: Maria Finitzo on Identifying the Anatomy of Gender Inequality in “The Dilemma of Desire”
InterviewsSXSW·7 min readSXSW 2020 Interview: Sam Davis and Rayka Zehtabchi on a Story to Embrace with “Just Hold On”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”