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Michael Metelits

Interview: Matt Wolf on How History is Made with “Recorder: The Marion Stokes Project”

On how an obsessive TV viewer went from capturing the first draft of history to having a say in what ultimately will be written in recording the news.

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TIFF 2021 Interview: Agustina San Martín on Having Mercy in “To Kill the Beast”

TIFF 2021 Interview: Mounia Akl on Turning the Imposition of Trash Into a Film to Treasure in “Costa Brava, Lebanon”

TIFF 2021 Interview: Kate Dolan, Hazel Doupe and Carolyn Bracken on the Horror at Home in “You Are Not My Mother”

TIFF 2021 Review: Arsalan Amiri’s “Zalava” is a Devil of a Good Time

TIFF 2021 Review: “Farha” Sheds Light on the Burden of Bearing Witness

TIFF 2021 Review: “Montana Story” Lets It All Out in the Open

Matt Damon: A Career in Cameos

Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
“Fast & Furious” Franchise

“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

TIFF 2021 Review: A Disappearance Reveals a Criminal Network in Justin Lerner’s Harrowing “Cadejo Blanco”

TIFF 2021 Review: Arsalan Amiri’s “Zalava” is a Devil of a Good Time

Tribeca 2021 Review: A Trailblazer Uses Their Platform To Its Fullest in “The Conductor”

TIFF 2021 Review: “Farha” Sheds Light on the Burden of Bearing Witness

Playing God: 13 Actors Who Dared To Be the Deity in Movies

Michael Metelits

Interview: Matt Wolf on How History is Made with “Recorder: The Marion Stokes Project”

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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

Playing God: 13 Actors Who Dared To Be the Deity in Movies