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Kimberli Hawkins

Interview: Floyd Russ on Bringing Out a Wrestler’s Inner Fire in “Zion”

The filmmaker talks about his engaging Oscar-shortlisted short, profiling a wrestler whose competition hasn't stood a chance given what he's accomplished away from the mat.

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Tribeca 2021 Interview: Dan Chen on the Hard-Earned Education of “Accepted”

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Tribeca 2021 Review: There’s Truly No Place Like Home in Gaysorn Thavat’s Admirably Irreverent “The Justice of Bunny King”

Tribeca 2021 Review: A Trailblazer Uses Their Platform To Its Fullest in “The Conductor”

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ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

A Life in Cinema Carries On with “Varda by Agnès”

How Mark Duplass and Mel Eslyn Got Creative to Make Progress in a Pandemic

Tribeca 2021 Review: There’s Truly No Place Like Home in Gaysorn Thavat’s Admirably Irreverent “The Justice of Bunny King”

Tribeca 2021 Review: A Conductor Creates Harmony Out of Cultural Discord in the Rousing “Bernstein’s Wall”

Tribeca 2021 Interview: Lauren Hadaway on Having a Row in “The Novice”

Tribeca 2021 Review: A Trailblazer Uses Their Platform To Its Fullest in “The Conductor”

Kimberli Hawkins

Interview: Floyd Russ on Bringing Out a Wrestler’s Inner Fire in “Zion”

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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

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