The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Alli Haapasalo on Crafting a Portrait of Youth That’s a Little Rough Around the Edges in “Girl Picture”

    James Ponsoldt on Learning From a Season of Change in “Summering”

    Max Walker-Silverman on Putting a Personal Twang on “A Love Song”

  • Reviews
    Reviews

    Outfest 2022 Review: A City Council Seat Becomes an Opportunity to Take a Stand in “A Run for More”

    Tribeca 2022 Review: “Unfinished Business” Captures Net Gains for Women’s Basketball

    Tribeca 2022 Review: “Lowndes County and the Road to Black Power” Illuminates the Importance of the Vote in the Deep South

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    “All My Work is the Desire to Live Fully, To Grab it and to Swallow Life”: Mira Nair on a Career Showing the Unseen

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

  • Trending
    NowWeekMonth

    Completing the Picture: How DuArt Film & TV Opened Up the Frame for American Independent Film

    Natalia Dyer and Peter Vack in "I Believe in Unicorns"

    Interview: Leah Meyerhoff, Natalia Dyer & Peter Vack on “I Believe in Unicorns”

    James Ponsoldt on Learning From a Season of Change in “Summering”

    John Gallagher Jr. in "Hush"

    Interview: Kate Siegel & Mike Flanagan on Finding that Silence is Golden in “Hush”

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

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Ireland

Anna Margaret Hollyman in "Don't Leave Home"
Interviews

Interview: Michael Tully on the Importance of Getting Too Comfortable with “Don’t Leave Home”

The director talks about his Irish-set thriller born out of the subconscious that works its way into yours.
Read Story
Jack O'Connell in Yann Demange's '71
Interviews

Interview: Yann Demange on the Creative Rush of “’71”

The first-time director on his electrifying debut, a riveting thriller set during the Troubles in Northern Ireland, and the unique way he collaborates with his crew.
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A scene from David Rane and Neasa Ni Chianain's "School Life"
Interviews

Interview: Neasa Ní Chianáin and David Rane on the Unlikely Education of “School Life”

The filmmakers behind this enchanting documentary discuss how work and their personal life intertwined for this year-in-the-life of an Irish boarding school.
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InterviewsTribeca Film Festival

Tribeca Film Fest ’13 Interview: Steph Green Makes a Great Leap With “Run & Jump”

The director of the Oscar-nominated short "New Boy" returns with her first feature about the relationship that forms between a neuropsychologist and the wife of his subject who's had a stroke in a warmhearted Irish-set drama.
Read Story
Saoirse Ronan in "Brooklyn"
Interviews

Interview: John Crowley on Finding the Face of “Brooklyn”

The director talks about his adaptation of Colm Toibin's cherished novel about a young Irish woman migrating to America during the 1950s and working with Saoirse Ronan.
Read Story
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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