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Our Favorites 2016: Aaron Gilbert on Swinging for the Fences with Bron Studios

The producer on building a production company exuding strength, starting with their very name, and backing "Fences," "Birth of a Nation" & other daring films in 2016. Read Story

Interview: Gia Coppola on the Unrequited Love of the Internet in “Mainstream”

Bao Tran on Finding His Footing with “The Paper Tigers”

Shantrelle P. Lewis on the Roots of “In Our Mothers’ Gardens”

New Directors/New Films 2021 Review: A Search for Enlightenment Unfolds in “Dark Red Forest”

Hot Docs 2021 Review: Isidore Bethel Flirts with Danger in “Acts of Love”

Hot Docs 2021 Review: A Country Singer Arrives in “I’m Wanita”

Matt Damon: A Career in Cameos

Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
“Fast & Furious” Franchise

How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

A Life in Cinema Carries On with “Varda by Agnès”

2021 Summer Movie Preview

June 2021 Movie Calendar

Shantrelle P. Lewis on the Roots of “In Our Mothers’ Gardens”

Playing God: 13 Actors Who Dared To Be the Deity in Movies

Interview: Nadine Labaki on Making — and Living — a Story of Survival with “Capernaum”

Into the Forest

Our Favorites 2016: Aaron Gilbert on Swinging for the Fences with Bron Studios

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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

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Playing God: 13 Actors Who Dared To Be the Deity in Movies