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Gina Carano

AFI Fest 2011 Reviews

AFI Fest ’11 Review: Carano Doesn’t Let Things Go “Haywire” in Taut Soderbergh Thriller

The director may not need to make that "Man From U.N.C.L.E." film after conquering the spy genre already with this entertaining action flick built around the female MMA star.

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Jamila Wignot on Where the Spirit Moved Her in Making “Ailey”

Ainsley Gardiner and Briar Grace-Smith on Making Profound Connections in “Cousins”

Wyatt Rockefeller on Going Places with “Settlers”

Cannes 2021 Review: A Cartel Leaves a Community on Edge in Tatiana Huezo’s Absorbing “Prayers for the Stolen”

Cannes 2021 Review: Na Jiazuo’s “Streetwise” Takes the Road Less Traveled

Cannes 2021 Review: The Present Takes On Unexplored Dimensions in Saul Williams and Anisia Uzeyman’s Wondrous “Neptune Frost”

Matt Damon: A Career in Cameos

Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
“Fast & Furious” Franchise

How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

A Life in Cinema Carries On with “Varda by Agnès”

Wyatt Rockefeller on Going Places with “Settlers”

Playing God: 13 Actors Who Dared To Be the Deity in Movies

Austin Film Fest ’18 Review: “The Amaranth” Never Grows Old

Tribeca 2020 Review: An Ex-Con Can’t Just Pick Up Where Life Left Off in Sabrina Doyle’s Lovely Drama “Lorelei”

Cannes 2021 Interview: Diego Marcon on Working All the Angles in “The Parents’ Room”

Gina Carano

AFI Fest ’11 Review: Carano Doesn’t Let Things Go “Haywire” in Taut Soderbergh Thriller

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