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Interview: Theresa Bennett on Shepherding “Social Animals”

The first-time director talks about turning frustrations with relationships and the film business into a perceptive and sharp new comedy, starring Aya Cash, Noel Wells and Josh Radnor.

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Natalia Meta on Sneaking Into Your Soul with “The Intruder”

Laura Wandel on the World of Preparation That Went Into “Playground”

Aly Muritiba on Risking Danger for Romantic Refuge in “Deserto Particular”

DOC NYC 2021 Review: Holly Morris’ “Exposure” Charts an Expedition That Can’t Be Measured in Miles

DOC NYC 2021 Review: A Football Team Has Plenty to Tackle Off the Field in “Messwood”

DOC NYC 2021 Review: What’s In a Name Leaves a Lot to Answer For in “Grandpa Was an Emperor”

Matt Damon: A Career in Cameos

Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
“Fast & Furious” Franchise

How Joan Micklin Silver’s “Hester Street” Transcended the Idea of Hollywood Being a One-Horse Town

“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

Torquil Jones and Nirmal Purja on a Life Moving Mountains in “14 Peaks: Nothing is Impossible”

Laura Wandel on the World of Preparation That Went Into “Playground”

Venice Film Fest 2021 Review: A Youth Retreat Reveals a Terrifying and Inescapable Reality in Joaquín del Paso’s “The Hole in the Fence”

Max Lowe on How Filmmaking Could Capture — and Facilitate — His Family Rebuilding Itself in “Torn”

Aly Muritiba on Risking Danger for Romantic Refuge in “Deserto Particular”

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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

Playing God: 13 Actors Who Dared To Be the Deity in Movies