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Interview: Bryan Fogel on Getting Just Close Enough with “Icarus”

The filmmaker talks about switching gears when a personal experiment to expose the prevalence of doping in his sport of cycling blew up into an international incident.

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How Mark Duplass and Mel Eslyn Got Creative to Make Progress in a Pandemic

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How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

A Life in Cinema Carries On with “Varda by Agnès”

How Mark Duplass and Mel Eslyn Got Creative to Make Progress in a Pandemic

Tribeca 2021 Review: There’s Truly No Place Like Home in Gaysorn Thavat’s Admirably Irreverent “The Justice of Bunny King”

Tribeca 2021 Review: A Conductor Creates Harmony Out of Cultural Discord in the Rousing “Bernstein’s Wall”

Tribeca 2021 Review: A Trailblazer Uses Their Platform To Its Fullest in “The Conductor”

Tribeca 2021 Interview: Lauren Hadaway on Having a Row in “The Novice”

doping

Interview: Bryan Fogel on Getting Just Close Enough with “Icarus”

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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

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