The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Camden Film Fest 2021 Interview: Megan Gilbride and Drew Xanthopoulos on the Reverberations of “Fathom”

    TIFF 2021 Interview: Rodrigo Plá on Finding a New Way to Look at “The Other Tom”

    TIFF 2021 Interview: Agustina San Martín on Having Mercy in “To Kill the Beast”

  • Reviews
    Reviews

    Camden Film Fest 2021 Review: A Down to Earth Approach Brings Out Nature’s Majesty in “The Velvet Queen”

    Camden Film Fest 2021 Review: A Son Takes on His Own Summit to Understand His Father in “Torn”

    TIFF 2021 Review: The Devil Wears White in Fabrice du Welz’s Delicious Thriller “Inexorable”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

    ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

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    Camden Film Fest 2021 Review: A Son Takes on His Own Summit to Understand His Father in “Torn”

    Camden Film Fest 2021 Review: A Down to Earth Approach Brings Out Nature’s Majesty in “The Velvet Queen”

    TIFF 2021 Review: The Devil Wears White in Fabrice du Welz’s Delicious Thriller “Inexorable”

    TIFF 2021 Review: A Musician Must Find His Rhythm Amidst the Blues in Thyrone Tommy’s Rapturous “Learn to Swim”

    TIFF 2021 Review: History is a Wily Creature in Emre Kayis’ Poignant “Anatolian Leopard”

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Call Center Blues

InterviewsSXSW

SXSW 2020 Interview: Geeta Gandbhir on Capturing a Place That Can Never Be Called Home with “Call Center Blues”

The director talks about placing audiences in the unsettled space of recent deportees attempting to find their footing in their new lives in Tijuana.
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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