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Interview: Jennifer Phang on Looking at the Past to See the Future in “Advantageous”

The writer/director on her ambitious sci-fi drama, how when things change, the more they stay the same & building meaning into the architecture of the film. Read Story

Interview: Gia Coppola on the Unrequited Love of the Internet in “Mainstream”

Bao Tran on Finding His Footing with “The Paper Tigers”

Shantrelle P. Lewis on the Roots of “In Our Mothers’ Gardens”

New Directors/New Films 2021 Review: A Search for Enlightenment Unfolds in “Dark Red Forest”

Hot Docs 2021 Review: Isidore Bethel Flirts with Danger in “Acts of Love”

Hot Docs 2021 Review: A Country Singer Arrives in “I’m Wanita”

Matt Damon: A Career in Cameos

Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
“Fast & Furious” Franchise

How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

A Life in Cinema Carries On with “Varda by Agnès”

Shantrelle P. Lewis on the Roots of “In Our Mothers’ Gardens”

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Sundance 2020 Interview: Robert Machoian on the Family That Emerged from Making “The Killing of Two Lovers”

Playing God: 13 Actors Who Dared To Be the Deity in Movies

Interview: Benjamin Ree, Barbora Kysilkova and Karl-Bertil Nordland on Shifting Perspectives with “The Painter and the Thief”

Advantageous

Interview: Jennifer Phang on Looking at the Past to See the Future in “Advantageous”

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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

Playing God: 13 Actors Who Dared To Be the Deity in Movies