Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Interview: Jennifer MacArthur on a Movement Towards Sustainability for Black-Owned Forests in “Family Tree”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsSXSW·9 min readSXSW 2022 Interview: Drea Cooper on Wagering on Originality in “Diamond Hands: The Legend of WallStreetBets”
InterviewsSXSW·8 min readSXSW 2022 Interview: Nyla Innuksuk on a Different Kind of Teenage Rebellion in “Slash/Back”
InterviewsSXSW·10 min readSXSW 2022 Interview: Winter Dunn on Harnessing the Power of an Abstract Sense of Loss in “Dear Mama”
InterviewsSXSW·5 min readSXSW 2022 Interview: Iliana Sosa on Capturing the Strength to Push Ahead in “What We Leave Behind”
InterviewsSXSW·11 min readSXSW 2022 Interview: Amy Bench on Expressing the Overwhelming Feeling of the Refugee Experience in “More Than I Remember”
InterviewsSXSW·10 min readSXSW 2021 Interview: Rayka Zehtabchi and Sam Davis on Creatively Recharging with “Are You Still There?”
InterviewsSXSW·7 min readSXSW 2021 Interview: Alba Sotorra Clua on a Fight That Continues After War in “The Return: Life After ISIS”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”