Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsSXSW·17 min readSXSW ’18 Interview: Steve Sullivan on Getting Inside the Creative Headspace of “Being Frank: The Chris Sievey Story”
ReviewsSXSW·3 min readSXSW ’18 Review: Melanie Laurent’s “Galveston” Is So Good It Should Be Criminal
InterviewsSXSW·11 min readSXSW ’18 Interview: Fiona Dawson & Gabe Silverman on Standing Tall Amidst a War at Home in “Transmilitary”
ReviewsSXSW·2 min readSXSW ’18 Review: “Time Trial” Goes Inside the Racing Mind of Cyclist David Millar
ReviewsSXSW·2 min readSXSW ’18 Review: A Disease May Ravage the Body But Can’t Touch the Soul of Yen Tan’s Riveting “1985”
InterviewsSXSW·9 min readInterview: Jeremy Workman on Going on the Walk of a Lifetime in “The World Before Your Feet”
InterviewsSXSW·9 min readSXSW ’18 Interview: Bola Ogun on Flipping the Script in “Are We Good Parents?”
InterviewsSXSW·11 min readSXSW ’18 Interview: Sara Shaw on Making a Film Worth Fighting for with “Tooth and Nail”
InterviewsSXSW·9 min readSXSW ’18 Interview: Laura Moss on Laughing Till It Hurts in “Allen Anders – Live at the Comedy Castle (circa 1987)”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”