Andrea Nix Fine and Sean Fine on Filling in the Emotional Details of the Day That Democracy Nearly Died on “The Sixth”
Cannes 2024 Review: Tyler Taormina’s “Christmas Eve at Miller’s Point” is a Gift That Keeps On Giving
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
BerlinaleReviews·3 min readBerlinale 2023 Review: “Joan Baez: I Am a Noise” Delivers a Strong Portrait of the Fragility of Memories
BerlinaleReviews·3 min readBerlinale 2024 Review: “Brief History of a Family” Spins a Sensational Tale of Social Mobility
BerlinaleReviews·2 min readBerlinale 2021 Review: Fate Comes Into Focus in Alexandre Koberidze’s Wondrous “What Do We See When We Look at the Sky”
BerlinaleReviews·3 min readBerlinale 2022 Review: A Family Faces a Season of Change in Carla Simón’s Sublime “Alcarràs”
BerlinaleReviews·3 min readBerlinale 2024 Review: A Groundhog Casts a Long Shadow in Roman Bondarchuk’s Sharp Satire “The Editorial Office”
BerlinaleReviews·2 min readBerlinale 2022 Review: Jason Kohn’s “Nothing Lasts Forever” Finds Diamonds in the Rough
BerlinaleInterviews·6 min readBerlinale 2022 Interview: Natalia López Gallardo on a Stirring Search for the Missing in “Robe of Gems”
BerlinaleReviews·2 min readBerlinale 2021 Review: “Mr. Bachmann and His Class” Imparts a Lovely Lesson in Understanding
BerlinaleReviews·2 min readBerlinale 2023 Review: A Death Brings a Spark of Life in Susana Nobre’s “Cidade Rabat”
BerlinaleReviews·2 min readBerlinale 2021 Review: Ramon Zürcher and Silvan Zürcher Deliver the Time of Our Lives in “The Girl and the Spider”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”