Andrea Nix Fine and Sean Fine on Filling in the Emotional Details of the Day That Democracy Nearly Died on “The Sixth”
Cannes 2024 Review: Soldiers Confront a Fight They Didn’t Sign Up For in Roberto Minervini’s Thoughtful War Drama “The Damned”
Cannes 2024 Review: A Hunt for a War Criminal Becomes a Search for Peace of Mind in Jonathan Millet’s Haunting “Ghost Trail”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
BerlinaleReviews·2 min readBerlinale 2023 Review: A Pair of Lonelyhearts Gets in Touch with Their Better Nature in Bas Devos’ “Here”
BerlinaleReviews·3 min readBerlinale 2023 Review: A Show Must Go On in Talal Derki and Heba Khaled’s “Under the Sky of Damascus”
BerlinaleReviews·2 min readBerlinale 2023 Review: İlker Çatak’s “The Teachers’ Lounge” Offers Some Bedeviling Lessons
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BerlinaleReviews·3 min readBerlinale 2023 Review: Sacha Polak’s “Silver Haze” Captivatingly Plays with Fire
BerlinaleReviews·2 min readBerlinale 2023 Review: Vuk Lungulov-Klotz’s “Mutt” Offers a Day to Remember to Someone Who Shouldn’t Look Back
BerlinaleReviews·3 min readBerlinale 2024 Review: “Brief History of a Family” Spins a Sensational Tale of Social Mobility
BerlinaleReviews·3 min readBerlinale 2024 Review: “Above the Dust” Sees Tragedy in What Scatters to the Wind
BerlinaleReviews·3 min readBerlinale 2024 Review: A Corrections Officer Lets Her Guard Down in Gustav Möller’s Riveting Drama “Sons”
BerlinaleReviews·3 min readBerlinale 2024 Review: A Groundhog Casts a Long Shadow in Roman Bondarchuk’s Sharp Satire “The Editorial Office”
BerlinaleReviews·3 min readBerlinale 2024 Review: A Matriarch Builds a Formidable Sand Castle in “Betânia”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”