BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”
Tribeca 2022 Review: No Mourning is Allowed with Death on the Horizon in the Beautifully Bittersweet “Pink Moon”
“All My Work is the Desire to Live Fully, To Grab it and to Swallow Life”: Mira Nair on a Career Showing the Unseen
Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson
BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”
LAAPFF ’18 Interview: Alexandra Cuerdo & Rey Cuerdo Jr. on Cooking Up Something Special with “Ulam: Main Dish”
FestivalsReviewsToronto Film Festival 2011TIFF ’11 Review: When Girls Just Want to Have Fun…With Guns in Geoffrey Fletcher’s Audacious “Violet & Daisy”A odd beast of a film that actually delivers, the "Precious" screenwriter's directorial debut is a surprising amount of fun for a somber, surreal tale of two teen assassins who wake up to their lives during what should be a routine hit. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”