Marlo McKenzie and Jonathan Parker on an Unlikely Feminist Icon Shaking Things Up in “Carol Doda Topless at the Condor”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsVenice Film Festival·3 min readVenice Film Fest 2020 Review: There’s No Forgetting Christos Nikou’s “Apples”
ReviewsVenice Film Festival·3 min readVenice Film Festival 2020 Review: A Look Underground Brings Clarity to the Harsh World Above in Logan George and Celine Held’s Brilliant “Topside”
ReviewsVenice Film Festival·2 min readVenice Film Fest 2020 Review: Cold Hard Facts Are Accompanied By Plenty of Warmth in Jing Wang’s Hopeful “The Best is Yet to Come”
ReviewsVenice Film Festival·2 min readVenice 2020 Review: Hilal Baydarov’s “In Between Dying” Offers the Great Comfort of Strangers
InterviewsVenice Film Festival·5 min readVenice Film Fest 2020 Interview: Laura Carreira on Showing the Work in “The Shift”
ReviewsVenice Film Festival·3 min readVenice Film Fest 2020 Review: A Shadowy System is Cast in a Refreshing New Light in Andrei Konchalovsky’s “Dear Comrades”
ReviewsVenice Film Festival·2 min readVenice Film Fest 2020 Review: Borders Come in All Forms in Ameen Nayfeh’s Heartfelt “200 Meters”
To Live and Screen in L.A.·5 min readFlashback: Al Pacino on His “Amateur Status” As a Director on the Eve of “Wilde Salome”‘s Premiere in Venice
ReviewsVenice Film Festival·2 min readVenice Film Fest 2020 Review: When a City Burns, Azra Deniz Okyay Summons the Fire Within in the Fierce “Hayaletler”
ReviewsVenice Film Festival·3 min readVenice Film Fest 2020 Review: Mona Fastvold’s “The World to Come” Opens Up Closed Minds on the Prairie
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”