Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsTribeca Film Festival·2 min readReview: Keith Miller Takes a Singular Look at Gang Life with “Five Star”
InterviewsTribeca Film Festival·7 min readTribeca ’14 Interview: Dan and Nicholas Mross on Tracking “The Rise and Rise of Bitcoin”
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ReviewsTribeca Film Festival·2 min readTribeca Film Fest ’13 Review: No Need to Gild The Beautifully Understated Character Study “Lily”
ReviewsTribeca Film Festival·3 min readReview: Orlando Von Einsiedel’s Stirring “Virunga” Finds Wealth in the Congo
Uncategorized·5 min readTribeca ’14 Interview: Andrew Renzi and Tylee Abbott Capture the West with “Fishtail”
InterviewsTribeca Film Festival·7 min readTribeca ’14 Interview: Garrett Bradley on Realizing “Below Dreams”
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Tribeca Film Festival·5 min readInterview: Matthew Bonifacio on Good Luck Being on His Side in Building “Fortune House”
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Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”