The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Dan Mirvish on Wrangling a Wild Tale of the Tape in “18 1/2”

    Ajitpal Singh on a Family Living on the Edge in “Fire in the Mountains”

    Stefan Forbes on Negotiating a Constructive Cultural Conversation in “Hold Your Fire”

  • Reviews
    Reviews

    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

    Cannes 2022 Review: A Broken Heart Takes Time to Mend in Lea Mysius’ Enthralling “The Five Devils”

    Cannes 2022 Review: “Les Pires” Reconsiders What An Exploitation Film Is

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

    A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

  • Trending
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    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

    Cannes 2022 Review: “Les Pires” Reconsiders What An Exploitation Film Is

    John Gallagher Jr. in "Hush"

    Interview: Kate Siegel & Mike Flanagan on Finding that Silence is Golden in “Hush”

    Dan Mirvish on Wrangling a Wild Tale of the Tape in “18 1/2”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

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Tribeca Film Festival 2017

Chris Hondros in "Hondros"
ReviewsTribeca Film Festival

Tribeca ’17 Review: “Hondros” Finds the Best of Humanity in the Midst of War

A riveting profile of the late photojournalist Chris Hondros reveals a man who looked for depth in the images he captured.
Read Story
Ittetsu Nemoto in "The Departure"
ReviewsTribeca Film Festival

Tribeca ’17 Review: The Transcendent Life of a Man Who Prevents Death in Lana Wilson’s “The Departure”

The "After Tiller" co-director once again finds grace in the most trying of professions, accompanying suicide prevention specialist Ittetsu Nemoto in Japan.
Read Story
Christopher Scott, Johnnie Lindsey, Steven Phillips in "True Conviction"
InterviewsTribeca Film Festival

Tribeca Film Fest ’17 Interview: Jamie Meltzer on Doing Justice to “True Conviction”

The "Informant" director on following a trio of Texas exonerees who have used their experience to help free others who have been unjustly put behind bars.
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A scene from Drew Xanthopoulos' "The Sensitives"
ReviewsTribeca Film Festival

Tribeca ’17 Review: Drew Xanthopoulos Brings a Light Touch to “The Sensitives”

Drew Xanthopoulos' considerate feature debut may concern people allergic to electricity, yet it's full of power.
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Evan Peters and Barkhad Abdi in "Dabka"
InterviewsTribeca Film Festival

Interview: Evan Peters and Jay Bahadur on Taking On a New Perspective in “The Pirates of Somalia”

The globetrotting journalist and the actor who gives him the big screen treatment talk about envisioning Somalia in a new light.
Read Story
A scene from Justin Benson and Aaron Moorhead's "The Endless"
InterviewsTribeca Film Festival

Tribeca ’17 Interview: Justin Benson, David Lawson & Aaron Moorhead on Restarting a Cycle with “The Endless”

The filmmakers behind "Resolution" and "Spring" talk about taking risks with their third feature and redefining cult appeal, onscreen and off.
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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