Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsTribeca Film Festival·2 min readReview: Dave Carroll Forges a Heavy-Duty Debut With the Strongman Doc “Bending Steel”
ReviewsTribeca Film Festival·2 min readTribeca Film Fest ’13 Review: No Need to Gild The Beautifully Understated Character Study “Lily”
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ReviewsTribeca Film Festival·3 min readTribeca Film Fest ’13 Review: ‘The Pretty One’ Makes for a Dazzling Debut
Tribeca Film Festival·5 min readInterview: Matthew Bonifacio on Good Luck Being on His Side in Building “Fortune House”
ReviewsTribeca Film Festival·3 min readTribeca Film Fest ’13 Review: “Elaine Stritch: Shoot Me” Fires Fast & Furiously on All Cylinders
InterviewsTribeca Film Festival·11 min readInterview: Sam Fleischner, Andrea Suarez Paz & Jesus Sanchez-Velez on Opening Up “Stand Clear of the Closing Doors”
InterviewsTribeca Film Festival·6 min readInterview: Dan Krauss Shoots for Universal Truth in the Compelling Military Justice Doc “The Kill Team”
InterviewsTribeca Film Festival·10 min readTribeca Film Fest ’13 Interview: Adam Shopkorn and Josh and Bennie Safdie on What Happened to “Lenny Cooke”
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ReviewsTribeca Film Festival·2 min readTribeca Film Fest ’13 Review: “Frankenstein’s Army” Has Fun Raising the Dead to Solider On
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”