Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsTIFF·2 min readTIFF 2020 Review: An Arrest Leads to Paralyzing Questions About the Reasons Behind It in Sonia Kennebeck’s Gripping “Enemies of the State”
InterviewsTIFF·12 min readTIFF 2020 Interview: Charles Officer, Saul Williams and Thamela Mpumlwana on Working Through the Layers of “Akilla’s Escape”
InterviewsTIFF·9 min readTIFF 2020 Interview: Hannah Cheesman on Revealing the Complexities of a Female Friendship Hiding in Plain Sight in “Succor”
ReviewsTIFF·3 min readTIFF 2020 Review: “76 Days” Powerfully Puts the COVID-19 Crisis in a Human Context
Interviews·7 min readTIFF 2020 Interview: Argyris Papadimitropoulos on Giving Audiences Something to Look Forward To in “Monday”
InterviewsTIFF·11 min readTIFF 2020 Interview: J Blakeson on Taking Great Pains to Make the Wildly Entertaining “I Care a Lot”
InterviewsTIFF·9 min readTIFF 2020 Interview: Sasha Leigh Henry on Building a Strong Vessel for a Difficult Conversation in “Sinking Ship”
ReviewsTIFF·2 min readTIFF 2020 Review: Nature is a Real Beast in Madeline Sims-Fewer & Dusty Mancinelli’s “Violation”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”