The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Rex Miller on Celebrating the Transcendence of Arthur Ashe in “Citizen Ashe”

    Ryusuke Hamaguchi on Delivering the Definitive Double Feature of 2021 with “Wheel of Fortune and Fantasy” and “Drive My Car”

    Andy Ostroy on Keeping a Singular Artist’s Legacy Alive in “Adrienne”

  • Reviews
    Reviews

    DOC NYC 2021 Review: Holly Morris’ “Exposure” Charts an Expedition That Can’t Be Measured in Miles

    DOC NYC 2021 Review: A Football Team Has Plenty to Tackle Off the Field in “Messwood”

    DOC NYC 2021 Review: What’s In a Name Leaves a Lot to Answer For in “Grandpa Was an Emperor”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    How Joan Micklin Silver’s “Hester Street” Transcended the Idea of Hollywood Being a One-Horse Town

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

  • Trending
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    Torquil Jones and Nirmal Purja on a Life Moving Mountains in “14 Peaks: Nothing is Impossible”

    Andy Ostroy on Keeping a Singular Artist’s Legacy Alive in “Adrienne”

    DOC NYC 2021 Review: A United Front Hides the Seeds for Division in Julia Bacha’s “Boycott”

    Christopher Frierson on Carrying the Weight of the World on His Shoulders with “DMX: Don’t Try to Understand”

    DOC NYC 2021 Interview: Tom Donahue on Crafting a Warm Tribute in “Dean Martin: King of Cool”

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The Workers Cup

A scene from Adam Sobel's "The Workers Cup"
Interviews

Interview: Adam Sobel on Leaving it All on the Field with “The Workers Cup”

The director talks about how a soccer tournament led to access to a damning portrait of the abuse of laborers preparing Qatar's stadiums for the 2022 World Cup.
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A scene from Adam Sobel's "The Worker's Cup"
ReviewsSundance

Sundance Film Fest ’17 Review: “The Workers Cup” Constructs a Captivating Portrait of Workers Rights Abuses in Qatar

Jason Sobel's compelling human rights documentary about the labor camps in Qatar working towards the 2022 World Cup has considerable kick.
Read Story
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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