The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Christos Nikou on Cutting to the Core in “Apples”

    Peter Strickland on Going With His Gut in “Flux Gourmet”

    BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”

  • Reviews
    Reviews

    Tribeca 2022 Review: The Thrill of the Chase Can Be Addictive in Daniel Antebi’s “God’s Time”

    Tribeca 2022 Review: Signe Baumane’s “My Love Affair with Marriage” is a Truly Animated Affair

    Tribeca 2022 Review: No Mourning is Allowed with Death on the Horizon in the Beautifully Bittersweet “Pink Moon”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    “All My Work is the Desire to Live Fully, To Grab it and to Swallow Life”: Mira Nair on a Career Showing the Unseen

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

  • Trending
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    BAMcinemafest 2022 Interview: Robert Machoian and Rodrigo Ojeda-Beck on Looking Towards Sunset in “The Last Days of August”

    BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”

    Tribeca 2022 Review: Annette K. Olesen’s “A Matter of Trust” Hops Around Difficult Leaps of Faith

    Andy Ostroy on Keeping a Singular Artist’s Legacy Alive in “Adrienne”

    Interview: Cooper Raiff on Getting at Grace in “Shithouse”

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The Proposal

Jill Magid in "The Proposal"
ReviewsTribeca Film Festival

Tribeca ’18 Review: Jill Magid Makes “The Proposal” a Film You Can’t Refuse

A quest to unlock the archives of one of Mexico’s preeminent archives from private hands becomes an unforgettable consideration of who should have ownership of an artist’s legacy.
Read Story
Interviews

Interview: Jill Magid on Pulling a Diamond From the Rough in “The Proposal”

The multidisciplinary artist talks about finding the artful way to celebrate and preserve another artist's legacy whose archive has languished in private hands.
Read Story
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Copyright 2011 The Moveable Fest

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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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