Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsSundance·3 min readSundance 2022 Review: A Breathtaking New Voice Considers a Loss of Cultural Identity in “Nanny”
InterviewsSundance·14 min readSundance 2022 Interview: Bradley Rust Gray Going with the Flow of “blood”
ReviewsSundance·3 min readSundance 2022 Review: The Justice System Creates a Broken Record in the Blistering “Free Chol Soo Lee”
InterviewsSundance·9 min readSundance 2022 Interview: Shaandiin Tome and Rayka Zehtabchi on a Rite of Passage in “Long Line of Ladies”
ReviewsSundance·3 min readSundance 2022 Review: Andrew Semans’ “Resurrection” Becomes an Object of Obsession
ReviewsSundance·2 min readSundance 2022 Review: Ricky D’Ambrose’s “The Cathedral” Carefully Constructs a Lasting Impression
InterviewsSundance·8 min readSundance 2022 Interview: Jim Archer, David Earl and Chris Hayward on Putting It All Together for the Robot Comedy “Brian and Charles”
InterviewsSundance·11 min readSundance 2022 Interview: Lewie and Noah Kloster on Pulling Some Strings with “Stranger Than Rotterdam with Sara Driver”
ReviewsSundance·2 min readSundance 2022 Review: “Tantura” Profoundly Observes the War to Be Remembered
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”