Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsSundance·2 min readSundance 2021 Review: “Bring Your Own Brigade” Offers a Breath of Fresh Air to a Consideration of Wildfires
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InterviewsSundance·7 min readSundance 2021 Interview: Ali El Arabi on How Soccer Opened Up Greater Goals in the Remarkable Refugee Story “Captains of Zaatari”
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InterviewsSundance·7 min readSundance 2021 Interview: Erin Vassilopoulos on the Spellbinding Sister Act of “Superior”
InterviewsSundance·11 min readSundance 2021 Interview: Sean Ellis on Bringing His Gifts to “The Cursed”
ReviewsSundance·2 min readSundance 2021 Review: A Woman Stung Becomes a Budding Entrepreneur in Blerta Basholli’s “Hive”
InterviewsSundance·11 min readSundance 2021 Interview: Anna Cobb and Jane Schoenbrun on Getting at Something Real About Our Virtual Lives in “We’re All Going to the World’s Fair”
InterviewsSundance·7 min readSundance 2021 Interview: Maisie Crow on Exploring the Increasingly Complex Borders of the American Dream in “At the Ready”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
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