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Shira Dubrovner

Interview: Shira Dubrovner on Swimming Upstream with the Mammoth Lakes Film Festival

The fest's founder on the challenge and opportunity of starting the NorCal event from scratch & being as innovative as the filmmakers she hopes to attract.

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TIFF 2021 Interview: Agustina San Martín on Having Mercy in “To Kill the Beast”

TIFF 2021 Interview: Mounia Akl on Turning the Imposition of Trash Into a Film to Treasure in “Costa Brava, Lebanon”

TIFF 2021 Interview: Kate Dolan, Hazel Doupe and Carolyn Bracken on the Horror at Home in “You Are Not My Mother”

TIFF 2021 Review: Arsalan Amiri’s “Zalava” is a Devil of a Good Time

TIFF 2021 Review: “Farha” Sheds Light on the Burden of Bearing Witness

TIFF 2021 Review: “Montana Story” Lets It All Out in the Open

Matt Damon: A Career in Cameos

Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
“Fast & Furious” Franchise

“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

TIFF 2021 Review: “Farha” Sheds Light on the Burden of Bearing Witness

Interview: Kim Basinger & Anders Morgenthaler on Taking the Time to Make “The 11th Hour”

TIFF 2021 Review: “Montana Story” Lets It All Out in the Open

Playing God: 13 Actors Who Dared To Be the Deity in Movies

Interview: Chad Hartigan on Crafting the Big Feelings of “Little Fish”

Shira Dubrovner

Interview: Shira Dubrovner on Swimming Upstream with the Mammoth Lakes Film Festival

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Playing God: 13 Actors Who Dared To Be the Deity in Movies