Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsTribeca Film Festival·2 min readTribeca 2020 Review: A Boy’s Search for Identity Calls His Community’s Into Question in Takeshi Fukunaga’s “Ainu Mosir”
CannesReviews·3 min readCannes 2023 Review: Sean Price Williams’ “The Sweet East” Goes In Search of America
InterviewsTribeca Film Festival·8 min readInterview: Esther Garrel & Nathan Silver on Getting at Something Real in “The Great Pretender”
InterviewsSlamdance·8 min readSlamdance ’18 Interview: Charlie Birns on Investigating “Human Affairs”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”