Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsSlamdance·8 min readSlamdance ’18 Interview: Charlie Birns on Investigating “Human Affairs”
ReviewsTribeca Film Festival·2 min readTribeca 2020 Review: A Boy’s Search for Identity Calls His Community’s Into Question in Takeshi Fukunaga’s “Ainu Mosir”
InterviewsTribeca Film Festival·8 min readInterview: Esther Garrel & Nathan Silver on Getting at Something Real in “The Great Pretender”
CannesReviews·3 min readCannes 2023 Review: Sean Price Williams’ “The Sweet East” Goes In Search of America
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”