Sundance 2022 Interview: Rachel Lears on Beating Back Cynicism About the Environmental Crisis in “To The End”
Sundance 2022 Review: The Effects of War Ripple Beyond the Battlefield in Simon Lereng Wilmont’s Exquisite “A House Made of Splinters”
A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration
Sundance 2022 Review: The Effects of War Ripple Beyond the Battlefield in Simon Lereng Wilmont’s Exquisite “A House Made of Splinters”
Sundance 2022 Review: A History of Slavery Can’t Be Washed Away in Margaret Brown’s Mighty “Descendant”
Interview: Jennifer Baichwal, Nicholas de Pencier and Edward Burtynsky on Going to the Ends of the Earth for “Anthropocene: The Human Epoch”
ReviewsTIFFTIFF 2021 Review: A Mad Romance Rearranges the Senses in “True Things”A torrid romantic infatuation reignites passion on screen, if not for necessarily for a woman in search of something more in this propulsive drama. Read Story
InterviewsInterview: Clio Barnard on Navigating Treacherous Waters in “Dark River”The "Selfish Giant" director talks about diving into the minds of a pair of distrustful siblings and adapting not just a book with her latest film, but the way we think in cinematic terms. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
