Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsNew York Film Festival·11 min readNY Film Fest ’16 Interview: Shirley Abraham & Amit Madheshiya on Transporting Audiences with “The Cinema Travellers”
New York Film FestivalReviews·3 min readNY Film Fest ’16 Review: Errol Morris Fashions a Perfect Snapshot in “The B-Side: Elsa Dorfman’s Portrait Photography”
InterviewsLondon Film FestivalNew York Film Festival·10 min readInterview: Alison Maclean on Preparing for “The Rehearsal”
New York Film Festival·11 min readInterview: Dash Shaw on Getting That Floating Feeling of “My Entire High School Sinking Into the Sea”
Reviews·3 min readNY Film Fest ’16 Review: Only with Steve James, An Incomprehensible Injustice Adds Up in “Abacus: Small Enough to Jail”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”