The co-founder of the Miami artists' collective on making the introduction that led to one of 2016's best films & their year-around work to help filmmakers.
On the lighter version of "Moonlight" that could've been, the third act fixes that made all the difference & sweating it out quite literally while editing.
The composer of "Moonlight" and "The Big Short" on creating the diverse soundtrack of this energetic romance and reteaming with director Adam Leon.
On his longtime creative partnership with Barry Jenkins and the experiential visual approach of the Miami-set coming-of-age story
On the search for six actors to play two roles across three different ages and getting Janelle Monae in front of the camera.