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Tribeca ’18 Interview: Vanessa Roth on Refreshing History in “The Girl and the Picture”

The filmmaker talks about profiling a survivor of the Nanking Massacre as she passes her memories to the next generation of her family, and making a little history of her own.

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Tribeca 2021 Interview: James Latimer on Having Actions Say More Than Words in “Kata”

Tribeca 2021 Interview: Jefferson Stein on Looking for the Silver Linings in “Burros”

Interview: Alexandre Rockwell on Capturing Magical Moments in “Sweet Thing”

Tribeca 2021 Review: Nana Mensah’s “Queen of Glory” is a Regal Delight

Tribeca 2021 Review: Refugees of a War-Torn Syria Refuse to Be Pulled Apart in the Tender “Simple as Water”

Tribeca 2021 Review: A Conductor Creates Harmony Out of Cultural Discord in the Rousing “Bernstein’s Wall”

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ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

A Life in Cinema Carries On with “Varda by Agnès”

Tribeca 2021 Interview: Max Eriksson on Coming Up for Air in “The Scars of Ali Boulala”

Austin Film Fest ’18 Review: “The Amaranth” Never Grows Old

Tribeca 2021 Review: Refugees of a War-Torn Syria Refuse to Be Pulled Apart in the Tender “Simple as Water”

Interview: Alexandre Rockwell on Capturing Magical Moments in “Sweet Thing”

Tribeca 2021 Interview: Michael Gassert and Sami Khan on Staying in the Game for “The Last Out”

Madame Xia

Tribeca ’18 Interview: Vanessa Roth on Refreshing History in “The Girl and the Picture”

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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

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