Sundance 2022 Interview: Rachel Lears on Beating Back Cynicism About the Environmental Crisis in “To The End”
Sundance 2022 Review: The Effects of War Ripple Beyond the Battlefield in Simon Lereng Wilmont’s Exquisite “A House Made of Splinters”
A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration
Sundance 2022 Review: The Effects of War Ripple Beyond the Battlefield in Simon Lereng Wilmont’s Exquisite “A House Made of Splinters”
Sundance 2022 Review: A History of Slavery Can’t Be Washed Away in Margaret Brown’s Mighty “Descendant”
Interview: Jennifer Baichwal, Nicholas de Pencier and Edward Burtynsky on Going to the Ends of the Earth for “Anthropocene: The Human Epoch”
ReviewsTIFFTIFF ’17 Review: A Messy Divorce is Precisely Realized in Xavier Legrand’s Electrifying “Custody”Following up his Oscar-nominated short "Just Before Losing Everything," Xavier Legrand makes an intense, searing feature debut with a portrait of domestic abuse. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
