Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Reviews·3 min readWoodstock Film Fest 2021 Review: A Self-Imposed Chill Begins to Thaw in the Heartwarming “Kendra and Beth”
Reviews·3 min readWoodstock Film Fest 2020 Review: A Delicate Bond is Battle Tested in David Gutnik’s Potent “Materna”
Interviews·11 min readInterview: Sarah Adina Smith on Climbing Mountains and Taming the Sea for “Buster’s Mal Heart”
InterviewsTribeca Film Festival·12 min readTribeca ’16 Interview: Sophia Takal on Harnessing Darkness for “Always Shine”
InterviewsSXSW·12 min readSXSW ’15 Interview: Eugene Kotlyarenko on Going Where No One Dares with “A Wonderful Cloud”
ReviewsSXSW·2 min readSXSW 2020 Review: Despair Goes Viral in Amy Seimetz’s Killer “She Dies Tomorrow”
ReviewsTIFF·3 min readTIFF ’16 Review: A Feast for the Mind in Sarah Adina Smith’s “Buster’s Mal Heart”
Tribeca Film Festival·9 min readInterview: Kate Lyn Sheil & Zachary Treitz Take the Field for “Men Go To Battle”
InterviewsSXSW·11 min readInterview: Gillian Horvat on Getting Down and Dirty with “Kiss Kiss Fingerbang”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”