The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Jonas Carpignano on Heading Into Unknown Territory in “A Chiara”

    Kyle Gallner and Emily Skeggs on Serving Up Subversion in “Dinner in America”

    Bonni Jo Hart on Amping Up a Pioneering Band in “Fanny: The Right to Rock”

  • Reviews
    Reviews

    Cannes 2022 Review: The Terror of a Brutal Regime Hits Home in Manuela Martelli’s Engrossing “1976”

    Cannes 2022 Review: An Actor Gets a Part He’d Rather Not Play in the Curious Conspiracy Thriller “The Green Perfume”

    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

    A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

  • Trending
    NowWeekMonth

    Cannes 2022 Review: The Terror of a Brutal Regime Hits Home in Manuela Martelli’s Engrossing “1976”

    Kyle Gallner and Emily Skeggs on Serving Up Subversion in “Dinner in America”

    Cannes 2022 Review: An Actor Gets a Part He’d Rather Not Play in the Curious Conspiracy Thriller “The Green Perfume”

    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

    Cannes 2022 Review: “Les Pires” Reconsiders What An Exploitation Film Is

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Kate Lyn Sheil

Samuel T. Herring in Robert Hillyer Barnett's "Tears of God"
A Face in the Crowd

A Face in the Crowd: Robert Hillyer Barnett
Wrings “Tears of God” with Kate Lyn Sheil

A first-time feature director tries his hand at an '80s-style, Zulawski-esque tale of destabilizing fear.
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Interviews

David Gutnik on Letting Life Take Its Course in “Materna”

The director talks about bringing together this unconventional anthology drama about what pain is passed down from one generation to the next.
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Kate Lyn Sheil and Anton Yelchin in "Kiss Kiss Fingerbang"
InterviewsSXSW

Interview: Gillian Horvat on Getting Down and Dirty with “Kiss Kiss Fingerbang”

The writer/director on her darkly funny short at SXSW about unequal relationships.
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Rami Malek in "Buster's Mal Heart"
Interviews

Interview: Sarah Adina Smith on Climbing Mountains and Taming the Sea for “Buster’s Mal Heart”

The writer/director of "The Midnight Swim" on grappling with nature to get to a place of transcendence with this thriller starring Rami Malek.
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AFI Fest 2011Reviews

AFI Fest ’11 Review: Sophia Takal’s “Green” Should Inspire Envy

A smartly-conceived exploration of female relationships and jealousy, this first feature makes for a tense, thought-provoking debut.
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Joslyn Jensen and Kentucker Audley in "Funny Bunny"
Interviews

Interview: Alison Bagnall on Chasing “Funny Bunny”

The writer/director on the collective strength that can emerge from a rendezvous of lonely people, both in her stirring new dramedy and the making of it.
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Interviews

Interview: Joe Swanberg on His Roxie Retrospective, “All the Light in the Sky” and Career Benchmarks

On the eve of his highest profile film to date, the moviemaker is enjoying a weekend-long retrospective of his work in San Francisco and shares his thoughts on the technology that made it possible and how he's evolved as an artist.
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Kickstart This!

Kickstart This! Hop to It If You Haven’t Checked Out Alison Bagnall’s Dark Comedy “Funny Bunny” Yet

Intended to be filmed before the Greta Gerwig comedy "The Dish and the Spoon," Alison Bagnall is turning to the crowd to help fund a longtime passion project about the love triangle that forms between a fiery female animal activist and two men falling out of touch with the world.
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Reviews

BAMCinemaFest ’13 Review: Only a Little Dicking Around on This Descent Into “Hellaware”

A sendup of hipster culture and the highminded art world, Michael M. Bilandic's amusing second feature has far more to offer than what it spoofs.
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InterviewsSXSW 2012

Interview: Amy Seimetz, Kentucker Audley and Kate Lyn Sheil on the Sun-Dappled Suspense of “Sun Don’t Shine”

A lyrical nailbiter reminiscent of "Badlands," the directorial debut of Amy Seimetz holds more than its share of surprises, and while we don't spoil them, we got the director and her two leads to spill on the production.
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Tim Morton and David Maloney in "Men Go to Battle"
Tribeca Film Festival

Interview: Kate Lyn Sheil & Zachary Treitz Take the Field for “Men Go To Battle”

The co-screenwriters talk about "casually" capturing history in this naturalistic tale of brothers at odds during the Civil War.
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InterviewsL.A. Film Fest

L.A. Film Fest ’13 Interview: Karl Jacob on Returning Home and Growing Up As a Filmmaker With “Pollywogs”

A filmmaker talks about healing from a bad breakup with the help of his two families, the one linked by blood and the one by art, in an intimate drama that recently made its debut at the L.A. Film Fest.
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Copyright 2011 The Moveable Fest

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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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