Human Rights Watch Film Fest 2022 Interview: Maia Kenworthy and Elena Sánchez Bellot on Making a Difference and the Differences Getting There in “Rebellion”
Hot Docs 2022 Review: The Power of a Family Secret Shifts from the Keepers to Those Willing to Expose It in Jasmin Mara López’s “Silent Beauty”
Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson
A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration
Human Rights Watch Film Fest 2022 Interview: Maia Kenworthy and Elena Sánchez Bellot on Making a Difference and the Differences Getting There in “Rebellion”
L.A. Asian Pacific Film Fest 2022 Interview: Yasir Masood on Clearing a Path in “Istikhara, New York”
The MentaculistTo Live and Screen in L.A.Justin Lin on “Tokyo Drift” and the Four Hours That Saved the “Fast & Furious” FranchiseOn convincing Vin Diesel to return for a cameo and an audience to the franchise. Read Story
The Daily TexanFlashback: Justin Lin Redefines “Tomorrow”On breaking through as an Asian-American filmmaker and the barriers he stills faced in 2003. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
