Cannes 2021 Review: A Cartel Leaves a Community on Edge in Tatiana Huezo’s Absorbing “Prayers for the Stolen”
Cannes 2021 Review: The Present Takes On Unexplored Dimensions in Saul Williams and Anisia Uzeyman’s Wondrous “Neptune Frost”
Tribeca 2020 Review: An Ex-Con Can’t Just Pick Up Where Life Left Off in Sabrina Doyle’s Lovely Drama “Lorelei”
Interview: Benjamin Ree, Barbora Kysilkova and Karl-Bertil Nordland on Shifting Perspectives with “The Painter and the Thief”
Kickstart This!Kickstart This! Genevieve Adams & Jon Goracy’s Quarterlife Crisis Comedy “I’m Obsessed With You (But You’ve Got to Leave Me Alone)”Can improv performers live by the rules of their art in their life? Naturally, the answer has been an evolution as an adaptation of a stage play is looking for a little help from the crowd to make it to the big screen. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
