Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsSlamdance·9 min readSlamdance 2022 Interview: Hugo De Sousa and Frank Mosley on a Wait Well Worth It in “The Event”
ReviewsSXSW·2 min readSXSW 2020 Review: A Marijuana Dealer’s Fall From Great Heights is Captured in Harrowing Detail in “Freeland”
ReviewsSeattle Film Festival·2 min readSIFF ’16 Review: Zachary Shedd Visits the Darkest Corners of “Americana”
Fantasia FestInterviews·10 min readFantasia Fest 2023 Interview: Frank Mosley and Hugo de Sousa on Fragile Objects in “Good Condition”
Interviews·11 min readSidewalk Film Fest 2020 Interview: Mario Furloni & Kate McLean on Cultivating Creativity in “Freeland”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”