Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Fantasia FestInterviews·10 min readFantasia Fest 2023 Interview: Frank Mosley and Hugo de Sousa on Fragile Objects in “Good Condition”
Interviews·11 min readSidewalk Film Fest 2020 Interview: Mario Furloni & Kate McLean on Cultivating Creativity in “Freeland”
InterviewsSlamdance·9 min readSlamdance 2022 Interview: Hugo De Sousa and Frank Mosley on a Wait Well Worth It in “The Event”
ReviewsSXSW·2 min readSXSW 2020 Review: A Marijuana Dealer’s Fall From Great Heights is Captured in Harrowing Detail in “Freeland”
ReviewsSeattle Film Festival·2 min readSIFF ’16 Review: Zachary Shedd Visits the Darkest Corners of “Americana”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”